Santiago Ribeiro
PORTUGUESE SURREALISM IN THE 21st CENTURY
SANTIAGO RIBEIRO AND PAULA ROSA  EXHIBITION - PORTUGUESE SURREALISM IN THE 21st CENTURY“Portuguese  Surrealism in the 21st Century” is a project that aims to celebrate the  Surrealism’s transversality understood as awareness in the face of civilization  and culture, rejec…ting conventionalities and diving into the realm of  absolute freedom of expression. Far from feeding sterile polemics and meta-  perceptive languages, the project exalts the revolutionary and avant-garde  aspects of the surrealist imagery, focused on the insight, the discovery, the  internal development of the artist and in the importance of the metaphor, symbol  and analogy.As an art movement, Surrealism has its chronological origin  perfectly defined in the history of art, in the context of the 20’s of the last  century, a period of strong social and political uncertainty, an aspect which  has been recurrent in the history of our civilization. Prevailing cultural  beliefs in Europe, as well as human vulnerability, were being questioned facing  a reality more and more difficult to understand and to accept. Surrealism sought  to overcome the conventional and traditional perception of reality, developing  an aesthetics based on the value of the Freudian findings about the Unconscious  as a complement to the conscious life and the dream’s ability to communicate. It  appears, therefore, as awareness, opposing to the conventions with freedom  itself, replacing positivism by dreams, the unbelievable, the unusual, because  it was felt that man overcomes the limitations of matter in the pursuit of  abstract.

PORTUGUESE SURREALISM IN THE 21st CENTURY

SANTIAGO RIBEIRO AND PAULA ROSA EXHIBITION - PORTUGUESE SURREALISM IN THE 21st CENTURY

“Portuguese Surrealism in the 21st Century” is a project that aims to celebrate the Surrealism’s transversality understood as awareness in the face of civilization and culture, rejecting conventionalities and diving into the realm of absolute freedom of expression. Far from feeding sterile polemics and meta- perceptive languages, the project exalts the revolutionary and avant-garde aspects of the surrealist imagery, focused on the insight, the discovery, the internal development of the artist and in the importance of the metaphor, symbol and analogy.

As an art movement, Surrealism has its chronological origin perfectly defined in the history of art, in the context of the 20’s of the last century, a period of strong social and political uncertainty, an aspect which has been recurrent in the history of our civilization. Prevailing cultural beliefs in Europe, as well as human vulnerability, were being questioned facing a reality more and more difficult to understand and to accept. Surrealism sought to overcome the conventional and traditional perception of reality, developing an aesthetics based on the value of the Freudian findings about the Unconscious as a complement to the conscious life and the dream’s ability to communicate. It appears, therefore, as awareness, opposing to the conventions with freedom itself, replacing positivism by dreams, the unbelievable, the unusual, because it was felt that man overcomes the limitations of matter in the pursuit of abstract.